This is more spontaneous as the process is more direct and requires less preparation in terms of stencils. Some printmakers prefer to paint directly on to the screen with a screen blocker. Wherever the stencil has had contact with the photosensitive coating, it will not have been “hardened” by the light exposure and will wash away, leaving you with the image you want to print. The screen is then exposed to UV light for a few minutes. The screen is coated, and then a black stencil is placed on a lightbox, with the coated screen resting on top. The coating becomes impermeable when dry and enables you to create pretty much anything in print. The most common way to make a screenprint is to use a photosensitive coating, which is what I will show you here. One solution is to prepare your screens at a printmaking facility, if you are lucky enough to have access to one, and then take them home to carry out your actual printing in your own time. There’s a lot of washing down involved, and if you use the photosensitive coating method, you will need to rig up some sort of light box with a strong fluorescent or LED lamp. It is possible to make a screenprint at home, although the process is quite messy. I’m also drawn to bold colours and strong lines, which is evident in my style of printmaking. I think it’s because I love old retro graphics, which have a textural quality that you don’t get from digital production. I have been fascinated by printmaking – and in particular, screen printing – for years. Link copied to clipboard Award-winning illustrator Eliza Southwood shows how to make a screenprint using the popular photo emulsion method
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |