in 2021), which earns three times the revenues of Twitter. He is also the co-founder and CEO of digital payments company Square (renamed Block, Inc. However, his present real-time net worth of $8.69 billion, according to Bloomberg's Billionaires Index - which makes him the 387th richest person in the world - cannot entirely be attributed to his success at Twitter. He relinquished his position with an estimated $16.40 billion fortune, which is nearly 10 times what he was worth less than a decade ago according to Forbes. Jack Dorsey's name has been synonymous with Twitter ever since its inception in 2006.īut after stepping down as stepping down as CEO of the microblogging site in November 2021, the social media pioneer has maintained a low profile.ĭorsey - no stranger to controversy, having steered the company through the tough years of rising global calls for regulation - seems to have faded into obscurity since handing over the baton to Parag Agarwal.Īlso read: $100k golden toilet and other ridiculously expensive things Putin allegedly ownsĪlso read: Young Rich Lister reveals 5 secrets to creating an empireĪlso read: 2 pictures that show what it takes to make $1 billion There are a couple of chuckles in it, but believe me, they’re the dark side of chuckle.”Īdditional performances of “The Lighthouse” at the Old Globe will be Wednesday through next Saturday, with a matinee May 18.Former CEO of Twitter Jack Dorsey is now the CEO of digital payments company Block, Inc. “I predict the audience will be on the edge of their seats-there’s nothing predictable about it. His best-known work is “Eight Songs for a Mad King,” an expressionist theater piece for baritone and ensemble based on the unstable 18th-Century British monarch George III.Īccording to Foss, “The Lighthouse” is dramatically intense and the musical idiom disjunctive. Each singer has a little mad scene of his own,” Foss said.ĭavies, a prolific 51-year-old English composer, has exhibited a penchant for the histrionic in his compositions. “He gives each of the three guys-the tenor, the baritone and the bass-the opportunity to go crazy. While aficionados of 19th-Century opera are accustomed to soprano-mad scenes, Davies’ opera at long last gives males a chance to portray vocal derangement. In the second act we go into the characters of the lighthouse keepers themselves.” ![]() “We open the show as mere observers, then enter the scene as the officers of the inquiry. “We each play three different parts,” said Foss. In addition to Foss, the San Diego production of “The Lighthouse” will include tenor Michael Ballam and bass James Butler, both in their debuts here. He took the libretto and concepts to Glass in the first place.” Everyone calls it Glass’ opera, but it was Wilson’s idea originally. We did 11 shows and received 11 standing ovations-and these people were not just standing up to leave the hall early. I do know, however, that people who wanted to see the opera and didn’t have tickets were advertising in the newspapers for spare tickets. “Tickets were being sold on the black market, if you could believe backstage gossip. “The reception of Glass’ opera was incredible,” said Foss. If we’re going to stage a work, please, let’s have the verisimilitude of theatricality.”įoss arrived in San Diego last week from Amsterdam, where he sang the role of Abraham Lincoln in minimalist composer Philip Glass’ 1984 “The Civil Wars.” “If that’s all that matters, you might just as well go into a recording studio and put it on a piece of plastic. “In a lot of operatic productions, especially much of the standard repertory, there is a tendency to slight almost everything but making a pretty noise, whether or not the people understand what you say or why you’re saying it,” Foss said. He explained his preference for contemporary opera, in terms of its concern with dramatic credibility. ![]() From the repertory of 20th-Century American operas, he has performed more than 20 works, many in their premieres. I listened to it out of curiosity, without any idea of singing the role.”įoss’ interest in contemporary opera, however, is more than idle curiosity. ![]() “A cellist in the opera orchestra there told me about the Boston production of ‘The Lighthouse,’ which was directed by Peter Sellars, and loaned me a tape of the opera. ![]() “A few seasons ago, I was singing with Boston Opera,” Foss said.
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